1. Flexible grasp of building model
建筑構(gòu)架部分是根據(jù)建筑的圖紙搭建的，按照既定的比例，由手工或電腦雕刻機(jī)將各立面的墻體做好然后拼接而成。其色彩及質(zhì)感選用是關(guān)鍵的一環(huán)。和真的外墻裝飾材料。模型主濁模型，它是一門(mén)單獨(dú)的學(xué)問(wèn)，新生這種藝術(shù)形式才是明智的。有時(shí)候，模型的立面色彩看起來(lái)和想像的有判別但一套上模型的陽(yáng)臺(tái)窗就會(huì)好多了。把模型放到底盤(pán)上，用綠色植物一搭配更是相得溢彰，這些就是模型制作藝術(shù)中的提亮和弱化等藝術(shù)手法。
The building frame part is built according to the building drawings. According to the established proportion, the walls of each facade are made by hand or computer engraving machine and then spliced. Its color and texture selection is a key link. And real exterior wall decoration materials. It is a separate knowledge, and it is wise to give birth to this art form. Sometimes, the facade color of the model seems to be different from the imagination, but a set of balcony windows on the model will be much better. Put the model on the chassis, and use green plants to match it. These are the artistic techniques of highlighting and weakening in the model making art.
還要說(shuō)明一點(diǎn)，一些單位喜歡用電腦效果圖來(lái)照要宣科，這是片面的，容易找不著感覺(jué)。電腦效果圖的色彩是連續(xù)的光影關(guān)系，是變化的，被先選中的部分僅在電腦效果圖中是合理的。因?yàn)樵谀Ｐ蜕吓c在電腦效果圖中的著色肌理是完全不同的，光的反向原理也不同。在參考色彩這一點(diǎn)上，電腦效果圖的用途就是顯示色彩之間的搭配關(guān)系，剩下的就要看模型藝術(shù)創(chuàng)作者自己的把握水平了。
It should also be noted that some units like to use computer renderings to publicize science, which is one-sided and easy to find. The color of the computer effect picture is a continuous light and shadow relationship, which is changeable. The first selected part is only reasonable in the computer effect picture. Because the color texture in the model is completely different from that in the computer rendering, the reverse principle of light is also different. In terms of reference colors, the purpose of computer renderings is to show the matching relationship between colors, and the rest depends on the level of model art creators themselves.
2、環(huán)境景觀的寫(xiě)意原則
2. Freehand brushwork principle of environmental landscape
對(duì)于環(huán)境景觀部分，愿意上也是根據(jù)設(shè)計(jì)來(lái)制作。但是在樹(shù)種的表現(xiàn)和花草的顏色上，應(yīng)該好好把握，樹(shù)種的表現(xiàn)主要是寫(xiě)意，花草的顏色主要側(cè)重表現(xiàn)美感。舉例來(lái)講，實(shí)際的園林中可能盛開(kāi)著各種色彩的花朵，其色彩對(duì)比強(qiáng)烈，有紅、黃、綠、藍(lán)色等，但在模型中的真實(shí)地表現(xiàn)出來(lái)就會(huì)顯得很雜亂，反而不美、不真實(shí)。因此現(xiàn)實(shí)中的景物和模型中的景物的像與非像問(wèn)題，本身就是一種矛盾的對(duì)立和統(tǒng)一，像則不像，似像非像則正像，其核心是應(yīng)抓住一個(gè)"神"字，確切地表現(xiàn)出環(huán)境綠化的風(fēng)格特點(diǎn)和是目的。
For the part of environment and landscape, we are willing to make it according to the design. But in the performance of tree species and the color of flowers and plants, we should make a good grasp of it. The performance of tree species is mainly freehand brushwork, and the color of flowers and plants mainly focuses on the performance of aesthetic feeling. For example, the actual garden may be full of flowers of various colors, with strong color contrast, such as red, yellow, green, blue, etc., but the real performance in the model will appear very messy, but not beautiful and realistic. Therefore, the problem of image and non image of scenery in reality and model itself is a kind of contradictory opposition and unity. If it is not like it, if it is not like it is just like it. Its core is to grasp a word of "God" to accurately show the style characteristics and purpose of environmental greening.
3、燈光的主次分層原則
3. The principle of primary and secondary stratification of lighting
燈光的配備要根據(jù)景物的特點(diǎn)來(lái)進(jìn)行。住宅區(qū)的建筑、水景燈光盡量用暖色，常綠樹(shù)的背景則用冷光源；路燈和庭園燈應(yīng)晝整齊劃一，按照某種規(guī)律排布。項(xiàng)目盡量色彩豐富些、層次多些以烘托整體環(huán)境氣氛。需要強(qiáng)調(diào)一點(diǎn)是，度的把握很重要，切忌到處都通亮，導(dǎo)致周邊一些部分反而奪了主題的光彩。配景就是配景，主角自然是主角，沒(méi)有取舍就沒(méi)有，就沒(méi)有成功的模型。
Lighting should be equipped according to the characteristics of the scene. Warm colors should be used for building and waterscape lighting in residential areas, and cold light sources should be used for the background of evergreen trees; street lamps and garden lights should be arranged in a regular manner during the day. The project should be colorful and multi-level to set off the overall environmental atmosphere. It should be emphasized that the degree of control is very important. It should not be bright everywhere, causing some parts of the surrounding area to win the glory of the theme. Setting is the setting. The protagonist is naturally the protagonist. If there is no choice, there will be no focus and no successful model.
4、盤(pán)口雅致襯托的原則
4. The principle of elegant setting off
盤(pán)口，指的是模型的收口、邊框、底臺(tái)、玻璃罩等的包裝部分。案名比例尺、標(biāo)牌等的收口一定要得體。邊框、底臺(tái)、玻璃罩等并無(wú)定式，關(guān)鍵看模型的規(guī)模大小、樓的高度、色彩及綠化的風(fēng)格、場(chǎng)地的因素等來(lái)制定，以和諧、美觀、大方為宜。
The tray mouth refers to the packaging parts of the model such as the closure, frame, bottom platform, glass cover, etc. The closure of the case name, scale and sign must be appropriate. There is no definite formula for the frame, bottom platform and glass cover. The key is to determine the scale of the model, the height of the building, the color and greening style, and the site factors. It is appropriate to make it harmonious, beautiful and generous.
